Join Abbey of the Arts for a monthly conversation on how increasing our diversity of perspectives on contemplative practice can enrich our understanding and experience of the Christian mystical tradition.
Christine Valters Paintner is joined by author Claudia Love Mair for a series of video conversations. Each month they take up a new book by or about a voice of color. The community is invited to purchase and read the books in advance and participate actively in this journey of deepening, discovery, and transformation.
This month’s selection is In My Grandmother’s House: Black Women, Faith, and the Stories We Inherit by Yolanda Pierce.
Click here to view or listen to the full conversation with the author.
What if the most steadfast faith you’ll ever encounter comes from a Black grandmother?
The church mothers who raised Yolanda Pierce, dean of Howard University School of Divinity, were busily focused on her survival. In a world hostile to Black women’s bodies and spirits, they had to be. Born on a former cotton plantation and having fled the terrors of the South, Pierce’s grandmother raised her in the faith inherited from those who were enslaved. Now, in the pages of In My Grandmother’s House, Pierce reckons with that tradition, building an everyday womanist theology rooted in liberating scriptures, experiences in the Black church, and truths from Black women’s lives. Pierce tells stories that center the experiences of those living on the underside of history, teasing out the tensions of race, spirituality, trauma, freedom, resistance, and memory.
A grandmother’s theology carries wisdom strong enough for future generations. The Divine has been showing up at the kitchen tables of Black women for a long time. It’s time to get to know that God.
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