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Visual Meditation: “The heart can push the sea”

Excerpted from “Renascence” The world stands out on either side No wider than the heart is wide; Above the world is stretched the sky, — No higher than the soul is high. The heart can push the sea and land Farther away on either hand; The soul can split the sky in two, And let the face of God shine through. But East and West will pinch the heart That can not keep them pushed apart; And he whose soul is flat — the sky Will cave in on him by and by. -Edna St. Vincent Millay (who lived in

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Sacred Artist Interview: Naomi Teplow

This week’s Sacred Artist Interview is with Naomi Teplow.  I first discovered her work while looking for pieces for the Presence journal (I love how this work gives me an excuse to find artists I love and contact them).  She designs Ketubahs (Jewish marriage contracts) and other illuminated manuscripts, so after last week’s Abbey Bookshelf you can understand why I love her work so much.  I find Hebrew script to be especially beautiful.  I am grateful to Naomi for participating: Are you rooted in a particular faith tradition? I’m a Jewish Israeli from a secular Kibbutz, and though I’m not religious,

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Visual Meditation: “Pour yourself out like a fountain”

      Sonnets to Orpheus, Part Two, XII Want the change. Be inspired by the flame where everything shines as it disappears. The artist, when sketching, loves nothing so much as the curve of the body as it turns away. What locks itself in sameness has congealed. Is it safer to be gray and numb? What turns hard becomes rigid and is easily shattered. Pour yourself out like a fountain. Flow into the knowledge that what you are seeking finishes often at the start, and, with ending, begins. Every happiness is the child of a separation it did not

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Abbey Bookshelf: Illuminated Manuscripts

Today I am continuing our theme this week of illumination.  Several weeks ago I did my Sacred Artist Interview with Jan Richardson.   I shared the kinship I have felt with Jan because of her love of illuminated manuscript and the way they serve as inspiration for her own work.  Several years ago Phil Cousineau edited these two wonderful books (which you can still find used copies of) — The Soul of the World: A Modern Book of Hours and The Soul Aflame: A Modern Book of Hours, which was really the first place I had ever seen anyone create a contemporary version of

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Invitation to Poetry: Illuminated from Within

Poetry Party #16! I select an image and suggest a title and invite you to respond with your poems, words, reflections, quotes, song lyrics, etc. Leave them in the comments or email me and I’ll add them to the body of the post as they come in along with a link back to your blog if you have one (not required to participate!) I spent this past weekend leading a parish women’s retreat at a beautiful place with a wonderful group.  On Saturday we had *perfect* spring weather, brilliant warm sunshine, and daffodils blooming in abundance.  In honor of the luminous

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Visual Meditation: “To Face the Strange New Earth”

Adam Marveling he stands on the cathedral’s steep ascent, close to the rose window, as though frightened at the apotheosis which grew and all at once set him down over these and these. And straight he stands and glad of his endurance, simply determined; as the husbandman who began and who knew not how from the garden of Eden finished-full to find a way out into the new earth. God was hard to persuade; and threatened him, instead of acceding, ever and again, that he would die. Yet man persisted: she will bring forth.   Eve Look how she stands,

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Sacred Artist Interview: Laurie Mika

I first encountered Laurie Mika‘s work when I saw one of her mosaic classes offered.  While paper arts and photography are my primary art forms, I sometimes like to extend myself into the world of mosaics, where broken pieces are transformed into something of beauty.  Her class was full, as most of them are, but I visited her website and was entranced by her work of creating her own tiles out of polymer clay. This edition of the Sacred Artist Interview also serves as an edition of the Abbey Bookshelf, because Laurie has also published the wonderful Mixed Media Mosaics: Techniques and Projects

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Into the Wild

I am still living into the gifts of my 12-day trip down the East coast in March re-visiting family and friends, walking in familiar places with new eyes, tending to memories of formative times. In the last couple of days of my trip I watched the film Into the Wild from my hotel room one evening.  (Spoiler alert — if you do not know the ending of the film, I do give it away further down in the post).  It is the story of Christopher McCandless’ journey away from the dysfunction of his parents toward the solitary promise of Alaska. 

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Visual Meditation: Winged Delight

As Once the Winged Energy of Delight As once the winged energy of delight carried you over childhood’s dark abysses, now beyond your own life build the great arch of unimagined bridges. Wonders happen if we can succeed in passing through the harshest danger; but only in a bright and purely granted achievement can we realize the wonder. To work with Things in the indescribable relationship is not too hard for us; the pattern grows more intricate and subtle, and being swept along is not enough. Take your practiced powers and stretch them out until they span the chasm between

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Sacred Artist Interview: Marilyn Russell

I first encountered Marilyn Russell virtually when we were each asked to write an article on spirituality and artistic expression for the UCLA Spirituality in Higher Education Newsletter.  Marilyn’s article was on “The Empowering of Art & Spirituality.” Read her article to gain even more insight into her vision as an artist.  (you can read my article here). She is a member of the Ojibwe tribe, an artist, a scholar and the Library Director at Haskell Indian Nations University. In her article she shares this beautiful Ojibwa prayer: “Oh Great Spirit, whose voice I hear in the winds and whose breath gives life to everyone,

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